Following on from the very informative posing night by Yana Martens we held a Posing Workshop. This night was an opportunity to hone the skills Yana told us about and, in particular, to practise being on both sides of the camera.
I was very impressed with the folks who first expressed hesitation about stepping in front of the camera but finally did so. Cathy provided us with a huge array of poses to have our subjects try. One of the great things to come out of the night was the folks who used those poses as a starting point and went beyond them, and of course their willing subjects who rose to the occasion.
A quick reminder of the things that came up during the night:
The initial hesitation of many to stand in front of the camera brings home the idea that to be the subject of an image is to be vulnerable. To put your image in the hands of your photographer.
Communication is key, talk to your model before bringing the camera up to your eye, tell them what you're looking for and explain the pose to them.
If your model is having trouble understanding what you want, use mirroring as a technique to show them. You perform the pose so they can see what it is you're after.
Regardless of age or gender of either the model or photographer don't just reach in and touch your subject. If you find you need to touch your subject you MUST get explicit permission to do so. In doing so let them know exactly what you're doing. If possible, ask them to fix something up before launching in and fixing yourself. If in getting into the pose their clothes shift, hair falls in the wrong way, or something else that needs to be corrected without breaking the pose, convey that to your subject. "Do you mind if I reposition your hair that has just fallen across your face?", "Do you mind if I straighten out your shirt a little?"
In the event you need to touch your subject, ensure you touch is not "lingering" get what needs to be done, done, after getting permission, and move away from your model.
Accept that when photographing people the work is a collaboration. Your subject will likely bring their own ideas to the fore, be open to them.
Warm up your subject, in photographing people you'll find your better images come towards the end of the session as the subject has come to trust you.
Don't feel you have to show the subject every image you take.
Don't use negative language during the shoot, even if it is directed at yourself. Actually, especially if it's directed at yourself. Your subject has confidence in you, don't destroy it by talking yourself down. And never say things like: "Well that didn't work.", "That doesn't look too good."
Feel free to talk your model up... "that looks great", "that's perfect" even if you have to tweak things after saying it.
And a reminder of the tips from Yana's talk, with thanks to Cathy for jotting them down for us:
You need to inspire your model.
You must tell your client (eg non model) what to do, don't just expect them to know what to do.
Match poses to subjects body shape - most people aren't as thin as most models so poses will look different
Do sketches of poses, and save pictures to print for inspiration.
Learn the principles of posing
Use posing apps
Make mood boards - get inspiration for overall ideas, lighting, makeup, hair, poses, mood, tone, theme
you can use differents bits from several pictures to create one image - eg pose from one image, make up from another and lighting from a third
Facial expression is difficult, use psychology to make people comfortable
Don't take glasses off as it may make people uncomfortable
Good models are confident
Make them think that they are beautiful
What clothes - favourite clothes may not photograph the best, get people to bring several changes of clothes, don't use best outfit first (or last), let subject get comfortable with posing first, clothes should be plain and not tight fitting
Hands should be the same distance from the camera as the body - anything closer to the camera looks bigger
No straight lines
One leg bent
Show one heel
Weight on back foot - check by getting them to lift their front foot
Hips at angle to camera
Face should be closest thing to camera
Lift arms away from body to look thinner
Toes to face in dfferent directions
Have a space between you arms and torso or else your arms become part of your body and make you look bigger than you are
No elbows pointing to camera, they become too prominent in the image.
Don't point underarms towards the camera
Hair up makes you look taller
Long nails make your hands looks longer
Chin forward and slightly down, not up
Move face closer to camera - ask model to move ears forward - it may feel weird but looks better in photo
Build up a pose one small change at a time eg get legs right, hips, then arms etc then work on expression
Once you have a good pose, change it slightly to get different images eg alter arm positions
Engage with model to get emotions
Below is a series of images taken during the night, a reminder that this wasn't a lighting workshop, it was the posing and getting used to talking to our subjects that we were working on, so forgive any images that seem too bright or too dark. You'll also find some behind-the-scenes images by Tess Maddocks so you can see
Thank you all for you wonderful entries in our last competition “Unloved” and congratulations to the following winners.
1st Place – Robyn Bartlett “Committed to the Mark”
1st Place – Brett Ferguson “Yolanda”
2nd Place – Neil Anderson “Diamond Beach”
3rd Place – Trudy Purchas “Enchanting Flight”
Highly Commended – Margaret Turner “The smoker”
Highly Commended – Cathy Buchanan “Flying”
Highly Commended – Arvin Coloma “Graeme”
Set Print – "Unloved"
1st Place – Cathy Buchanan “Empty”
2nd Place – Karl Zeller “Bradmill Art Gallery”
3rd Place – Kathryn Hocking “Broken”
Highly Commended – Brett Ferguson “Inside Out”
Highly Commended – Suzanne Hamley “In the bin”
1st Place – Brett Ferguson “Tell me a story”
2nd Place – Michael Kennedy "Molson 1940”
3rd Place – Karin Volz “Let me in, you look tasty”
Highly Commended – Cathy Buchanan “Just hold tight”
Highly Commended – Tony Arceri “At the end of the day”
Set Digital – "Unloved"
1st Place – Michael Kennedy “Wasco 2142”
2nd Place – Colin Lofts “Have a seat”
3rd Place – Trudy Purchas “Someones favourite no more”
Highly Commended – Kathryn Hocking “The Silence-3967”
Highly Commended – Robert Moyses “Where's my 'C'”
IMPORTANT REMINDER: When sending your entries in make sure you have no watermarks on your digital images and no names on the back of your prints. If you haven't collected your prints, make sure you grab them at the next meeting.
Last night was our first night at your new location, Brooklyn Community Hall in Cypress Avenue, Altona North. A fantastic location for us with plenty of room to grow.
As our membership numbers have been steadily rising, we were a little concerned that our old location, Walker Close Community Centre, wasn't going to be able to sustain us for much longer and we jumped at the chance when a larger venue because available not much further up the street.
Our new centre affords us more space to spread our wings and grow, as well as offering a great location for our numerous workshops we conduct throughout the year and that we have increased in number for 2017 given this space. We look forward to working with the members to make some amazing photos this year.
We kicked off our first meeting with a BBQ in the outdoor area. It was a great turn out, over 60 people in attendance, a new member and around 8 visitors stopping by to check us out.
The introduction of new "I'M NEW" for new members and visitors, and "TALK TO ME" badges for current members who are happy to be paired with our visitors and to show them the ropes.
We also ran through the committee and who does what, and our upcoming events, to let attendees know how we work and what's in the future for the club.
We ended the night with a quick Q&A, mostly focusing on Lightroom, in particular we touched on the difference of cropping in Lightroom and how it's actually setting an aspect ratio rather than setting a pixel size, compared to export, which is where we can set our pixel size and density as needed. There will be a video tutorial coming up on this in the next week or so.
A look at our Pinterest Boards to get some inspiration for our upcoming competitions, we welcome your additions to these boards, so if you're a Pinterest user, send me your Pinterest username or email and I can add you to the boards. If your a member, you can join the private Williamstown Camera Club Facebook group... and remember, to shoot me an email if you use a different name on Facebook than your real name.
Looking forward to a great year ahead in our new location. Big thanks to everyone who participated in getting last night festive start off the ground.
After a long drive, stopping to photograph some amazing painted silos and eating beautiful country town pie, we finally arrives at the Mallee Bush Retreat. This place is a hidden gem and after talking to a local (Brett) it gets very busy in the warmer months.
Keys were given out and people moved off to their rooms (bunkhouses), once people were settled in, but before they settled down, it was off to the local pub for some good food and company.
Williamstown Camera Club and you learn things you didn’t realise you needed to
like LR, PS, light trails, bokeh, newborn, landscape and panoramic photography,
how to make frames for competition entries, the world of multiple lenses and
how to photograph the stars.
How did my
life exist before without all this information?!
trip to Bendigo was yet another opportunity to practice newly learnt skills and
to learn heaps more. WCC members are very friendly, generous with their time
and are happy to share their expertise. Brilliant for a newbie like me!
Kick off for
me began when the weekend officially commenced at 1pm at Bendigo Cathedral on Saturday
2nd April. What an awesome space with incredible light. I got lost
in there for hours. A highlight was being able to trek upstairs to check out
the organ and pipes with a bonus recital by the organist thrown in. Another
highlight, which I sadly missed out on, was the appearance of a drone.
Belonging to a fellow clubbie, it was a great source of interest as it snapped aerial
shots of the Cathedral and surrounds and of dazzled members gazing up at it.
for the rest of Saturday included a visit to:
Bendigo Pottery – the
historical display in the Interpretive Museum provided many photographic
opportunities and the Antiques and Collectables Centre gave the purse a bit of
a workout. This was also a chance to have a cuppa, a bite and to share shots.
Botanic Gardens –
Macro lens heaven. A simply gorgeous setting in the late afternoon sun.
Rosalind Park in the
CBD precinct with the Golden Dragon Museum and its gardens nearby.
The Big Marilyn – The
oversized sculpture of Marilyn Monroe in downtown Bendigo, was a traffic
stopper and provided lots of fun and antics with Club members.
Moonlight Market –
Live music and art, craft stalls and speciality food trucks provided an
interesting diversion before sunset.
Poppet Head Lookout
Tower for sunset. A great opportunity to give the legs a workout climbing to
the top. The view was spectacular but the sunset was a fizzer so we all quickly
retreated to the National hotel for a delicious dinner.
sunrise at a park with a wonderful view of Bendigo’s skyline, was attended by
some hardy souls before breakfast at Beechworth Bakery. Then it was off to the Great
Stupa of Universal Compassion where we attended a talk and video presentation
by one of the Nuns. We viewed the Holy Relics before being given a tour of the new
temple (undergoing a lengthy construction) and gardens. The prayer wheels and
statues of Buddha were amazing.
Then it was
time to head back to Melbourne with various small town stops along the way.
Historic Maldon was a favourite for lunch and was a photographic gold mine!
weekend was a wonderful opportunity to get to know people and have lots of fun.
Oh and I also
found out that I needed to know how to take a starburst photo, how to magnify
the display, how to shoot a sunrise, Snapseed and a little about drones…need I
On Saturday, 7th November 2015, 33 members of the Williamstown Camera Club boarded a bus along with Canon Collective Ambassadors, Erin Kostopoulos and Jay Collier. The destinations chosen for the event were Eynesbury Homestead, Eynesbury and Serendip Sanctuary at Lara, which provided club members a chance to practice a wide range of photography techniques throughout the day.
Eynesbury Homestead is in a beautiful rural setting surrounded by attractive gardens, historic buildings, ornamental lake and a Gray Box forest. Club members spent their morning taking a variety of images including macro, architecture, and landscape shots. Everyone caught up at the homestead cafe for lunch and to compare notes on their morning before departing for Serendip Sanctuary. The Sanctuary provided an opportunity to walk amongst local bird and wildlife in a peaceful setting. A number of bird hides are provided for photographers to observe the abundant bird life in the wetlands.
Although club members brought their own equipment along, Canon Collective also provided a wide range of equipment to use on the day. Attendees were able to try cameras such as the EOS 5DsR and EOS 1Dx and a range lenses suitable for the day, from the new EF 11-24mm f4 and EF 35mm f1.4 to a wide selection of the great whites. The participants really appreciated being able to get hands on experience with some great equipment as well as having some very knowledgeable people on hand willing to provide tips and advice.
All attendees enjoyed a great day on the road and had fun participating in the last photographic activity of the day - the all important group photo! This has been a feature of club outings for many years and provides us with some wonderful memories.
The Williamstown Camera Club wishes to thank Canon Australia and their Canon Collective Ambassadors, Erin and Jay for making this great event possible.