A few notes from last night's meeting on Time Lapse Photography.
Time lapse photography is a way of compressing time. The amount of compression depends largely on the interval between images and in moving time lapse videos, the frame rate we choose to present the images.
Time lapse is largely used to show changes and movement over time. We might find it used for the following:
The growth of plants and opening of flowers
Progression of construction projects (massive buildings or Lego builds)
Movement studies and animal behaviour
As cinematic b-roll, extra footage that may appear between shots to imply the passage of time between scenes or to compress a series of events
Our Tuesday night meeting welcomed the annual Paper Bag Challenge. A night where members are presented with a mystery item and are asked to create an image with that item. Over the years members have become wise to the madness and bring along props that may or may not work with the mystery item. It's a great night that tests our abilities to think on the spot and make images with the presented item, props brought in, and found items and locations around us.
Last night we left the meeting hall behind and hit the beach. Seemed like it might be a silly thing to do on a cold winter's night, but none-the-less, that was the plan, and thankfully a large contingent of members decided to join us in our madness.
Richard Tatti hales from Bendigo a country town. Bendigo is one of the last major towns in that part of Victoria
which places Richard in a great location for night photography, free from the light pollution of the city of
Melbourne. We at Williamstown Camera Club are grateful Richard made the long trip to come along to our club to
share his skills through a great presentation to our members.
This is our first ‘official’ meeting of the year, where we will welcome in the new year with a Sausage Sizzle, a la Graeme. (Thank you Graeme for providing the BBQ.)
We will be socialising, renewing and developing new friendships, and welcoming new members. All you need to bring is something to drink. We will have the usual tea and coffee available.
Please note the slightly earlier start time. Anyone wishing to arrive even earlier (from around 6.30pm) is more than welcome … To assist with the setting-up … of course!
Our three 2018 EOY winners will be giving us a “How I Did It” presentation later in the evening - sharing with us how they made their winning images. And … another reminder ... entries are due for our first competition “Monochrome”.
If you didn't make it to the club last night to view Tom Putt's presentation you really missed out. We've had Tom present at our club numerous times over the years and we've been fortunate enough to watch his progression through different genres of photography. His current passion of Aerial Abstract Landscape Photography is something he really excels at, especially for someone who is scared of heights.
Last night we were fortunate to have photographer
Lisa Saad come along and present to our club. A full-house sat enthralled by Lisa's work and story.
Lisa Saad is a multi-award winning photographer, with the highest distinctions from industry associations such as the AIPP and WPPI. Picking up a camera at a tip at the age of 6, Lisa started down a road that saw her becoming an accomplished and well-known industry photographer at the age of 19. Her interest in architecture, design and film making give Lisa a grounding in the elements of design.
The Paper Bag Challenge has become a tradition in our club over the last few years. We originally started the Paper Bag Challenge as one of our competitions, a way to get members to shoot for the competition rather than dredging up files from the past to enter. But a few years back we turned it into an in-meeting event.
The premise is simple, we bring along our camera gear and in teams we are given a brown paper bag containing an item that must be used to make an image within the confines of the club and with a strict timeframe.
Last night's paper bag challenge item was "forks". Cathy, our President, had hit up all the op-shops she could find and raided them of their forks for us to use. I imagine there are now a whole lot of lopsided cutlery drawers out there.
Following on from the very informative posing night by Yana Martens we held a Posing Workshop. This night was an opportunity to hone the skills Yana told us about and, in particular, to practise being on both sides of the camera.
I was very impressed with the folks who first expressed hesitation about stepping in front of the camera but finally did so. Cathy provided us with a huge array of poses to have our subjects try. One of the great things to come out of the night was the folks who used those poses as a starting point and went beyond them, and of course their willing subjects who rose to the occasion.
A quick reminder of the things that came up during the night:
The initial hesitation of many to stand in front of the camera brings home the idea that to be the subject of an image is to be vulnerable. To put your image in the hands of your photographer.
Communication is key, talk to your model before bringing the camera up to your eye, tell them what you're looking for and explain the pose to them.
If your model is having trouble understanding what you want, use mirroring as a technique to show them. You perform the pose so they can see what it is you're after.
Regardless of age or gender of either the model or photographer don't just reach in and touch your subject. If you find you need to touch your subject you MUST get explicit permission to do so. In doing so let them know exactly what you're doing. If possible, ask them to fix something up before launching in and fixing yourself. If in getting into the pose their clothes shift, hair falls in the wrong way, or something else that needs to be corrected without breaking the pose, convey that to your subject. "Do you mind if I reposition your hair that has just fallen across your face?", "Do you mind if I straighten out your shirt a little?"
In the event you need to touch your subject, ensure you touch is not "lingering" get what needs to be done, done, after getting permission, and move away from your model.
Accept that when photographing people the work is a collaboration. Your subject will likely bring their own ideas to the fore, be open to them.
Warm up your subject, in photographing people you'll find your better images come towards the end of the session as the subject has come to trust you.
Don't feel you have to show the subject every image you take.
Don't use negative language during the shoot, even if it is directed at yourself. Actually, especially if it's directed at yourself. Your subject has confidence in you, don't destroy it by talking yourself down. And never say things like: "Well that didn't work.", "That doesn't look too good."
Feel free to talk your model up... "that looks great", "that's perfect" even if you have to tweak things after saying it.
And a reminder of the tips from Yana's talk, with thanks to Cathy for jotting them down for us:
You need to inspire your model.
You must tell your client (eg non model) what to do, don't just expect them to know what to do.
Match poses to subjects body shape - most people aren't as thin as most models so poses will look different
Do sketches of poses, and save pictures to print for inspiration.
Learn the principles of posing
Use posing apps
Make mood boards - get inspiration for overall ideas, lighting, makeup, hair, poses, mood, tone, theme
you can use differents bits from several pictures to create one image - eg pose from one image, make up from another and lighting from a third
Facial expression is difficult, use psychology to make people comfortable
Don't take glasses off as it may make people uncomfortable
Good models are confident
Make them think that they are beautiful
What clothes - favourite clothes may not photograph the best, get people to bring several changes of clothes, don't use best outfit first (or last), let subject get comfortable with posing first, clothes should be plain and not tight fitting
Hands should be the same distance from the camera as the body - anything closer to the camera looks bigger
No straight lines
One leg bent
Show one heel
Weight on back foot - check by getting them to lift their front foot
Hips at angle to camera
Face should be closest thing to camera
Lift arms away from body to look thinner
Toes to face in dfferent directions
Have a space between you arms and torso or else your arms become part of your body and make you look bigger than you are
No elbows pointing to camera, they become too prominent in the image.
Don't point underarms towards the camera
Hair up makes you look taller
Long nails make your hands looks longer
Chin forward and slightly down, not up
Move face closer to camera - ask model to move ears forward - it may feel weird but looks better in photo
Build up a pose one small change at a time eg get legs right, hips, then arms etc then work on expression
Once you have a good pose, change it slightly to get different images eg alter arm positions
Engage with model to get emotions
Below is a series of images taken during the night, a reminder that this wasn't a lighting workshop, it was the posing and getting used to talking to our subjects that we were working on, so forgive any images that seem too bright or too dark. You'll also find some behind-the-scenes images by Tess Maddocks so you can see
Last night was our first night at your new location, Brooklyn Community Hall in Cypress Avenue, Altona North. A fantastic location for us with plenty of room to grow.
As our membership numbers have been steadily rising, we were a little concerned that our old location, Walker Close Community Centre, wasn't going to be able to sustain us for much longer and we jumped at the chance when a larger venue because available not much further up the street.
Our new centre affords us more space to spread our wings and grow, as well as offering a great location for our numerous workshops we conduct throughout the year and that we have increased in number for 2017 given this space. We look forward to working with the members to make some amazing photos this year.
We kicked off our first meeting with a BBQ in the outdoor area. It was a great turn out, over 60 people in attendance, a new member and around 8 visitors stopping by to check us out.
The introduction of new "I'M NEW" for new members and visitors, and "TALK TO ME" badges for current members who are happy to be paired with our visitors and to show them the ropes.
We also ran through the committee and who does what, and our upcoming events, to let attendees know how we work and what's in the future for the club.
We ended the night with a quick Q&A, mostly focusing on Lightroom, in particular we touched on the difference of cropping in Lightroom and how it's actually setting an aspect ratio rather than setting a pixel size, compared to export, which is where we can set our pixel size and density as needed. There will be a video tutorial coming up on this in the next week or so.
A look at our Pinterest Boards to get some inspiration for our upcoming competitions, we welcome your additions to these boards, so if you're a Pinterest user, send me your Pinterest username or email and I can add you to the boards. If your a member, you can join the private Williamstown Camera Club Facebook group... and remember, to shoot me an email if you use a different name on Facebook than your real name.
Looking forward to a great year ahead in our new location. Big thanks to everyone who participated in getting last night festive start off the ground.
Gather for a BBQ to welcome everyone back for another year. We'll have our 2019 winners, if in attendence, tell us about the images that took out the much coveted "Image of the Year" awards for each category.
Entries due for first competition: Open & Set Subject: Monochrome