Competition Winners: Environmental Portraits and Open

By Tess Maddocks - 26th July, 2017 filed in Competition Results

Open Print

• 1st Place – Robert Moyses “Pens, Pencils, Scissors and Stuff” 
• 2nd Place – Akm Imran “Smoke” 
• 3rd Place – Neil Anderson “Baby Elephant” 
• Highly Commended - Jennifer Empey "Dandelion"
• Highly Commended - Colin Lofts "Beach Bird"

Set Print – "Environmental Portrait"

• 1st Place – Brett Ferguson “The Seamstress” 
• 2nd Place – Christine Dennis “Portrait of the Artist” 
• 3rd Place – Karl Zeller “On the Edge” 
• Highly Commended - Françoise Muller Robbie "Electric Iron Man"
• Highly Commended - Akm Imran "Fire Dancer"

Open Digital

• 1st Place – Akm Imran “Aurora” 
• 2nd Place – Brett Ferguson "Chcolat Sec” 
• 3rd Place – Andre Bellaire “Range Rover” 
• Highly Commended – Cas Bukor “Morning Flight”

Set Digital – "Environmental Portrait"

• 1st Place – James Troi “Di the Collector” 
• 2nd Place – Christine Dennis “Portrait Painter” 
• 3rd Place – Robyn Bartlet “A Shoe In” 
• Highly Commended – Brett Ferguson “Maintenance”
• Highly Commended – Akm Imran "Richard, The Sculptor"
• Highly Commended – Karin Volz "The Cameraman"

So, in the Web Whip this week I included a link to PixelPeeper.io, a website where you can upload a JPG image and, if it hasn't had its metadata stripped, see the Lightroom adjustments that have been made. Well seems the world of photography as a love/hate relationship with the site, that is largely unfounded... because... you've actually always been able to do this in Photoshop!

To confirm that PixelPeeper does what it claims to, I uploaded one of my images to the site to see the results.

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Quite the boast right? Well founded though, we even have a trophy and certificate to prove it.

Earlier this week a delegation from the club visited Camberwell Camera Club to attend the judging of "Camberwell Camera Club Interclub Competition". 

We walked away with the trophy for the third year in a row.

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The Paper Bag Challenge 2017: Forks

By James Troi - 28th June, 2017 filed in Meeting Notes

The Paper Bag Challenge has become a tradition in our club over the last few years. We originally started the Paper Bag Challenge as one of our competitions, a way to get members to shoot for the competition rather than dredging up files from the past to enter. But a few years back we turned it into an in-meeting event.

The premise is simple, we bring along our camera gear and in teams we are given a brown paper bag containing an item that must be used to make an image within the confines of the club and with a strict timeframe.

Last night's paper bag challenge item was "forks". Cathy, our President, had hit up all the op-shops she could find and raided them of their forks for us to use. I imagine there are now a whole lot of lopsided cutlery drawers out there.

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Open Print

• 1st Place – Brett Ferguson “The Florist - 2” 
• 2nd Place – Trudy Purchas “Neighbourhood Watch” 
• 3rd Place – Phil Taylor “In Flight” 
• Highly Commended - Kathryn Hocking "Lake Hayes"
• Highly Commended - Christine Dennis "F Stop"

Set Print – "Abstract"

• 1st Place – Fransoise Muller Robbie “Red Cone” 
• 2nd Place – Phil Taylor “Escape Route” 
• 3rd Place – Arvin Coloma “Cold” 
• Highly Commended - Jennifer Empey "You Yangs shrouded in Sun Veil"
• Highly Commended - Kathryn Hocking "Spiral"

Open Digital

• 1st Place – Brett Ferguson “Red Skirt” 
• 2nd Place – Tony Arceri "Afternoon Walk” 
• 3rd Place – Phil Taylor “Lucy the Barn Owl” 
• Highly Commended – Jennifer Empey “Treescape”
• Highly Commended – Tess Maddocks “Look, up in the sky”

Set Digital – "Abstract"

• 1st Place – Brian Young “Colourful” 
• 2nd Place – Robert Moyses “Explosion of Light” 
• 3rd Place – Tess Maddocks “Woof” 
• Highly Commended – Raelene Marshall “Can U Guess”
• Highly Commended – Phil Taylor "F1 at Speed"
• Highly Commended – Michael Kennedy "Whirlpool s01861"

Novice Digital

• 1st Place – Catherine Stevenson “Patterns” 

Open Print

• 1st Place – Neil Anderson “Benzai Pipeline” 
• 2nd Place – Brett Ferguson “Lillian” 
• 3rd Place – Trudy Purchas “In Flight” 

Set Print – "Patterns"

• 1st Place – Kathryn Hocking “Arlington” 
• 2nd Place – Colin Lofts “Flutterby” 
• 3rd Place – Trudy Purchas “Autumn Patterns” 

Open Digital

• 1st Place – Darren Malthouse “Up and Over” 
• 2nd Place – Michael Kennedy "LagoGrey 10544” 
• 3rd Place – Karl Zeller “Sunrise Over Melbourne” 
• Highly Commended – Karin Volz “Future Highway”
• Highly Commended – Debbie Raimondo “Heidi(1)”

Set Digital – "Patterns"

• 1st Place – Kathryn Hocking “Remember Us” 
• 2nd Place – Brian Obst “683 Latrobe St” 
• 3rd Place – Eva Bellaire “Window Reflections” 
• Highly Commended – Colin Lofts “Mother Nature-2”
• Highly Commended – Cathy Buchanan "Blobs"

Paint the Gardens

By James Troi - 24th April, 2017 filed in Shoot Reports

Our club was commissioned by the Hobsons Bay City Council to take some event photos for them covering the Friends of Williamstown Botanic Gardens' "Paint the Gardens".

"Paint the Gardens" is a celebration of the wonderful Williamstown Botanic Gardens in the form of an art competition. Previously this had only been a "traditional" 2D* art competition, but for the first time this year it included a photography category. All artists are invited to enter with the only requirement being that the entries have a connection to the gardens. The local schools are invited to participate and produced some great work that was on display.

The weather was threatening rain, but thankfully it held off, even though we went from grey skies, to sunshine, back to grey clouds. You'll note a few of the artworks have plastic over them, this was during the times when the rain was looming... but didn't come.

There were many winners, most notable for us was our member Cathy taking out first place in the open category of the photography prize. Congrats to Cathy, who was also on hand to take photos throughout the day.

Aside from the amazing works of art on display there was also other entertainment, a food stall, a raffle, a reading corner, and art play for children. Also present were resident artists who were showing their amazing abilities firsthand.

Below is a selection of photos from our time at the event. Many more were passed on to the Council for their use.

*I couldn't think of any other way to write painting, drawing, and not photo / sculpture / etc

Portland Weekend Away

By David Male - 20th April, 2017 filed in Shoot Reports

As everyone knows, what happens on the trip, stays on the trip.

So, for those who were unable to come along, this is the official version. And for those who were there, you know what really happened...

Friday afternoon saw beautiful weather and our happy snappers rolled up in dribs and drabs. Most of the group stayed at the Portland Bay Lodge. The rooms proved to be warm with good facilities - especially the spacious communal lounge - and far enough away from the neighbours not to annoy others. The only complaint heard was that some of the girls toilets had glad wrap over the pan! Don't know how it got there? Otherwise great value for money!

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Posing Workshop

By James Troi - 29th March, 2017 filed in Meeting Notes

Following on from the very informative posing night by Yana Martens we held a Posing Workshop. This night was an opportunity to hone the skills Yana told us about and, in particular, to practise being on both sides of the camera.

I was very impressed with the folks who first expressed hesitation about stepping in front of the camera but finally did so. Cathy provided us with a huge array of poses to have our subjects try. One of the great things to come out of the night was the folks who used those poses as a starting point and went beyond them, and of course their willing subjects who rose to the occasion.

A quick reminder of the things that came up during the night:

• The initial hesitation of many to stand in front of the camera brings home the idea that to be the subject of an image is to be vulnerable. To put your image in the hands of your photographer.
• Communication is key, talk to your model before bringing the camera up to your eye, tell them what you're looking for and explain the pose to them.
• If your model is having trouble understanding what you want, use mirroring as a technique to show them. You perform the pose so they can see what it is you're after.
• Regardless of age or gender of either the model or photographer don't just reach in and touch your subject. If you find you need to touch your subject you MUST get explicit permission to do so. In doing so let them know exactly what you're doing. If possible, ask them to fix something up before launching in and fixing yourself. If in getting into the pose their clothes shift, hair falls in the wrong way, or something else that needs to be corrected without breaking the pose, convey that to your subject. "Do you mind if I reposition your hair that has just fallen across your face?", "Do you mind if I straighten out your shirt a little?"
• In the event you need to touch your subject, ensure you touch is not "lingering" get what needs to be done, done, after getting permission, and move away from your model.
• Accept that when photographing people the work is a collaboration. Your subject will likely bring their own ideas to the fore, be open to them.
• Warm up your subject, in photographing people you'll find your better images come towards the end of the session as the subject has come to trust you.
• Don't feel you have to show the subject every image you take.
• Don't use negative language during the shoot, even if it is directed at yourself. Actually, especially if it's directed at yourself. Your subject has confidence in you, don't destroy it by talking yourself down. And never say things like: "Well that didn't work.", "That doesn't look too good."
• Feel free to talk your model up... "that looks great", "that's perfect" even if you have to tweak things after saying it.

And a reminder of the tips from Yana's talk, with thanks to Cathy for jotting them down for us:

• You need to inspire your model.
• You must tell your client (eg non model) what to do, don't just expect them to know what to do.
• Match poses to  subjects body shape - most people aren't as thin as  most models so poses will look different
• Do sketches of poses, and save pictures to print for inspiration.
• Learn the principles of posing
• Use posing apps
• Make mood boards - get inspiration for overall ideas, lighting, makeup, hair, poses, mood, tone, theme you can use differents bits from several pictures to create one image - eg pose from one image, make up from another and lighting from a third
• Facial expression is difficult, use psychology to make people comfortable
• Don't take glasses off as it may make people uncomfortable
• Good models are confident
• Make them think that they are beautiful
• What clothes - favourite clothes may not photograph the best, get people to bring several changes of clothes, don't use best outfit first (or last), let subject get comfortable with posing first, clothes should be plain and not tight fitting
• Hands should be the same distance from the camera as the body - anything closer to the camera looks bigger
• No straight lines
• One leg bent
• Show one heel
• Weight on back foot - check by getting them to lift their front foot
• Hips at angle to camera
• Face should be closest thing to camera
• Lift arms away from body to look thinner
• Toes to face in dfferent directions
• Have a space between you arms and torso or else your arms become part of your body and make you look bigger than you are
• No elbows pointing to camera, they become too prominent in the image.
• Don't point underarms towards the camera
• Hair up makes you look taller
• Long nails make your hands looks longer
• Chin forward and slightly down, not up
• Forehead forward
• Move face closer to camera - ask model to move ears forward - it may feel weird but looks better in photo
• Build up a pose one small change at a time eg get legs right, hips, then arms etc then work on expression
• Once you have a good pose, change it slightly to get different images eg alter arm positions
• Engage with model to get emotions

Below is a series of images taken during the night, a reminder that this wasn't a lighting workshop, it was the posing and getting used to talking to our subjects that we were working on, so forgive any images that seem too bright or too dark. You'll also find some behind-the-scenes images by Tess Maddocks so you can see